I'm very pleased to note that the full text of the article by Ian and me on this subject, from Studies in Church History 42 (2006), is now available as part of SAS-Space. It follows the reactions of the Anglican church-musical "establishment" to the experimentation with church pop from the late fifties until the early nineties, with a particular focus on reactions to Geoffrey Beaumont's Folk Mass.
See also an earlier post on Beaumont.
Theology at the University of Southampton between the world wars
-
Part of my responsibilities in the Hartley Library at the University of
Southampton is building up the digital collections of the Library, which
are made a...
1 week ago