I note an interesting response from Rowan Williams to Philip Pullman's recent offering, in the Guardian on April 3rd.
It is part of an interesting ongoing exchange between the two men: hear a podcast of the two in conversation in relation to His Dark Materials at the National Theatre in 2004, (and an edited transcript in the Telegraph) and an article by Williams on the same in the Guardian, March 10th 2004
The British churches and artists from Nazi Europe
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A new article of mine has just appeared in the journal Anglican and
Episcopal History. It is available in JSTOR, and so is accessible both to
subscribers a...
1 week ago
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