I'm very pleased to note that the full text of the article by Ian and me on this subject, from Studies in Church History 42 (2006), is now available as part of SAS-Space. It follows the reactions of the Anglican church-musical "establishment" to the experimentation with church pop from the late fifties until the early nineties, with a particular focus on reactions to Geoffrey Beaumont's Folk Mass.
See also an earlier post on Beaumont.
Anglican women: Mollie Batten
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In recent months I’ve had occasion to look at the lives of several Anglican
women of the last century or so, for possible inclusion in a biographical
dicti...
5 months ago