I'm very pleased to note that the full text of the article by Ian and me on this subject, from Studies in Church History 42 (2006), is now available as part of SAS-Space. It follows the reactions of the Anglican church-musical "establishment" to the experimentation with church pop from the late fifties until the early nineties, with a particular focus on reactions to Geoffrey Beaumont's Folk Mass.
See also an earlier post on Beaumont.
Reading the edited collection, distantly: some trends in British
theological publishing in the twentieth century
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Regular readers will know that I’ve become interested in the history of
publishing, both as an exercise in the history of technology and as a way
of seeing...
5 weeks ago
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